Landscaping Style - The Main Concepts

Concepts describe requirements or prescriptions for dealing with or setting up different aspects to produce the designated landscape design. Great landscape design follows a combination of 7 concepts: unity, balance, percentage, emphasis or focalization, series or repetition, transition, and rhythm.

Unity describes using elements to create consistency and consistency with the primary theme or idea of the landscape style. Unity offers the landscape style a sense of oneness and interconnection. Unity in landscape design can be achieved using plants, trees, or product that have repeating shapes or lines, a common hue, or similar texture. However, too much unity in landscape style can be dull. For that reason, it is very important to introduce some variety or contrast into the landscape style.

Balance gives the landscape style a sense of balance and balance in visual tourist attraction. There are three methods by which balance may be presented in landscape style. Official or in proportion balance is achieved when the mass, weight, or variety of items both sides of the landscape design are precisely the exact same. Casual or asymmetrical balance in landscape style recommends a feeling of balance on both sides, despite the fact that the sides do not look the exact same. Asymmetrical balance in visual destination may be attained by utilizing opposing compositions on either side of the main axis. Landscape design with radial balance has a center point. A sunflower, a wheel, and the cross-section of an orange all have radial balance.

Proportion explains the size relationship between parts of the landscape style or between a part of the style and the style as a whole. A large water fountain would cramp a little backyard garden, however would complement a vast public courtyard. Furthermore, proportion in landscape style should take into consideration how individuals interact with different elements of the landscape through regular human activities.

Emphasis in landscape design might be achieved by using a contrasting color, a various or unusual line, or a plain background space. Paths, walkways, and tactically placed plants lead the eye to the focal point of the landscape without distracting from the total landscape design.

Series or Shift develops visual movement in landscape design. Series in landscape style is attained by the progressive development of texture, color, size, or type. Examples of landscape style elements in transition are plants that go from coarse to medium to great textures or softscapes that go from big trees to medium trees to shrubs to bedding plants. Transition in landscape style might also be used to develop depth or range or to emphasize a centerpiece.

Rhythm creates a feeling of movement which leads the eye from one part of the landscape style to another part. Duplicating a color scheme, shape, texture, line or type stimulates rhythm in landscape style. koi pond builders boca raton Correct expression of rhythm eliminates confusion and dullness from landscape style.

And lastly, repeating in landscape design is the repeated use of items or aspects with similar shape, texture, form, or color. Although it offers the landscape design an unified planting scheme, repetition runs the risk of being exaggerated. However, when correctly implemented, repetition can result in rhythm, focalization or emphasis in landscape style.


Balanced or official balance is attained when the mass, weight, or number of things both sides of the landscape style are precisely the very same. Casual or unbalanced balance in landscape style recommends a sensation of balance on both sides, even though the sides do not look the very same. Percentage explains the size relationship in between parts of the landscape style or between a part of the design and the design as a whole. Additionally, proportion in landscape design must take into consideration how people interact with various components of the landscape through regular human activities.

Courses, sidewalks, and tactically put plants lead the eye to the focal point of the landscape without sidetracking from the general landscape design.

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